Katie Rife

Katie Rife is a writer and film critic based in Chicago. She worked as the Senior Writer for The A.V. Club from 2019-2022, and News Editor from 2014-2019. She currently freelances for outlets like Rolling Stone, Vulture, Indiewire, EW, and Fangoria, and assists with year-round horror programming at the Music Box of Horrors.
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Old Enough!

Though the idea of sending a three-year-old to the supermarket by themselves might seem terrifying, the Japanese documentary series Old Enough! is hardly a white-knuckle experience. It’s a sweet and watchable show showcasing the kids’ natural charisma.

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Parallels

This French time-travel series on Disney+ has been compared to Stranger Things and Dark, but you can actually watch it with your kids.

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Two Men at War

This documentary special helps put the Ukraine war in context through an analysis of the history and psychology of the two very different men at the center of it.

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Severance Season 1 Finale: Our Predictions and Theories

As we head into the Severance finale, we have some big questions we need answered and a few theories of our own.

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Everything Everywhere All At Once

Everything Everywhere All At Once is a collage of farce, action, sci-fi, and metaphysical drama that’s entertaining, yet not overdone.

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Moon Knight

The first Disney+ series to introduce a character we haven’t already met in the MCU, Moon Knight throws everything at the wall, and most of it sticks thanks to a diligent and dedicated creative team.

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Bridgerton Season 2: The Best Bits from the Book

Every adaptation makes changes to the source material, but here our some of our favorite things from the Bridgerton books they kept for the series.

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Flee

The most urgent and relevant Oscar-nominated film of 2022, Flee is a deeply personal documentary about a man’s childhood as a refugee that inspires as it creates empathy for those forced out of their homelands.

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Bridgerton Season 1 Recap: The Story So Far

Dearest Gentle Viewer, After a seemingly interminable wait of many months (15, to be exact) a shining new season of Bridgerton is at last upon us. Let us rejoice in the return to the adventures and—dare I say—misadventures of the noble and prolific Bridgerton family and their society peers. By all accounts (This Author included),

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Bridgerton

Emmy nominated for Best Drama and Best Actor (Regé-Jean Page), this sexy, modern, and diverse take on Regency romance is a delightful departure from the traditional. Yet it still has enough conventional elements to appeal to fans of classic Jane Austen.

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A Need-to-Know Guide to And Just Like That…

After a two year wait, Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and the inevitable rainy weekends, And Just Like That might be

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The Something for Everyone Show: Poker Face is Back

Can’t agree on what to watch together?  Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

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It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models  

“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

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Boyhood

Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations. 

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Why Andor is Luring in Non-Star Wars Fans

An edgier Star Wars prequel with a timely story about rebellion, Andor skips some of the more familiar elements of the franchise — from lightsabers to Jedi to the Force — in favor of a more grounded story with parallels in both history and our current moment. While it sets up the legendary world of

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Inside the War Zone: A sit down with Warfare’s director and cast

A harrowing new film from Alex Garland’s production banner, Warfare drops viewers into a real-time combat mission in Iraq. Set in 2006, it follows a team of Navy SEALs on a surveillance mission gone awry. Co-written and co-directed by Garland and Ray Mendoza—whose own platoon was ambushed during the real-life event—the film is both brutal

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