A riveting and thoughtful look at all of the extraordinary members of the Williams family, King Richard is the rare Oscar caliber film that entertains as it inspires, shedding new light on the lives of two of the most iconic athletes of our time and what they and their parents had to overcome.
The Worst Person in the World is a fluidly told story not about love, but instead about self-awareness, acceptance, and the persistent insecurity that accompanies the pursuit of both.
Director Paul Thomas Anderson’s love letter to how unapologetic hormones and Los Angeles can be, Licorice Pizza is a collection of engaging moments that invites you into its vintage world and make you want to stay.
The Lost Daughter proves that Gyllenhaal has a gift for directing and screenwriting. She’s made a film about real, complex people that sticks with you.
George Clooney directs a compelling movie with relatable and easy-to-root-for characters. The Tender Bar manages to have the emotional depth of any other Oscar contender but without the expected sadness or sturm and drang.
The Power of the Dog delivers amazing vistas and performances, some of which may still be seared in the mind after viewing. There is a uniqueness in the story and in the acting, thanks to the joint efforts of Campion and Cumberbatch.
This is the most Andersonian of Wes Anderson’s movies so far, and arguably his most ambitious work to date. You may find yourself craving more and wanting to re-watch it immediately to pick up what you missed amongst the sensory overload.
Steven Spielberg manages to make this West Side Story both retro and modern at the same time. The movie doesn’t lose any steam in this reboot, 60 years in the making.
A nuanced and beautiful look at the way race and the constructs of race shapes our lives, with wonderful performances by its two leading ladies.
Belfast benefits from a stellar cast and skilled direction in its depiction of a personal story with a fresh perspective on a complicated moment in history.