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Can You Ever Forgive Me?(2018)From Charlotte O’Sullivan at London Evening Standard: This film takes an altogether different view of the imitation game. By embracing frauds and failures, it achieves greatness on the sly. |
Champions(2018)de-stress me, give me hope, make me laugh, tug my heartstrings · From Daniel D’Addario at Time: The mix of precociousness and real-kid energy brought to mind Lisa Simpson-with a dose of freewheeling energy that’s perfect for a moment at which out queer kids are more visible than ever. |
Colette(2018)romance me, stretch my mind, transport me · From Alan Scherstuhl at L.A. Weekly: As her marriage opens up, and Colette begins to take lovers of her own, Knightley summons up a moving sense of both relief and recklessness. This Colette is thrilled suddenly to have new options, but she’s committed to pushing for more. |
Creed II(2018)inspire me, take me back, up my adrenaline · From Justin Chang at Los Angeles Times: If it lacks its predecessor’s bracing sense of emotional discovery, it nonetheless understands and impressively re-creates the chief source of that movie’s delight: a group of characters who, for all their stresses and struggles, were a warm, easygoing pleasure to spend time with. |
Dallas and Robo(2018)From Merrill Barr at Forbes: Dallas & Robo is something special and different while still feeling familiar and safe. |
Dark Money(2018)enlighten me, shock me, stretch my mind · From Alan Ng at Film Threat: Dark Money does succeed in presenting a strong case for campaign finance reform. |