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Vincenzo(2021)find me fun, grip me, make me laugh, transport me, tug my heartstrings · From Hanna Tamondong at Cosmopolitan: The beginning is compelling, the ending is realistic and satisfying, and everything in between is just simply exceptional. |
WandaVision(2021)find me fun, make me laugh, romance me, take me back · From Allison Keene at Paste: There are trappings of truth everywhere, and while viewers can spot them easily, Wanda remains willfully ignorant. It is absolutely devastating to see her spinning as fast as she can to keep this all in place, to stay ahead of her trauma, when we know that ultimately it won’t change anything. … WandaVision’s core conceit—that sometimes you just want to escape into television, into fantasy, into a daydream—couldn’t be more meta. |
WeWork: Or the Making and Breaking of a $47 Billion Unicorn(2021)From Bob Strauss at San Francisco Chronicle: Between the talking heads, Rothstein also uses kinetic imagery and spry cutting to keep the potentially eye-glazing subject matter as gripping as a true crime mystery, which it kind of was. |
What If…?(2021)de-stress me, inspire me, stretch my mind · From Tyler Hersko at IndieWire: “What If…?” presents a bit of a paradox, and not just because of the series’ timeline-warping synopsis. This is perhaps the most Marvel Cinematic Universe title yet, given that viewers who already have a keen understanding of the franchise’s key plot arcs and an attachment to its myriad of characters will undoubtedly get the biggest kick out of each episode. |
Wolfwalkers(2021)find me fun, grip me, transport me, tug my heartstrings · From Bilge Ebiri at Vulture: Kids will be enchanted, adults will be enraptured. It’s somehow light as air yet overwhelming, both ineffable and unforgettable. |
Zack Snyder’s Justice League(2021)grip me, stretch my mind, up my adrenaline · From Robbie Collin at The Telegraph: It shares a vague shape and a handful of specific, linchpin scenes with its predecessor, but everything about it lands differently: characters that were previously empty or ludicrous now have real grit and depth, while action sequences that were once incoherent, lightweight and garish now number among the most thunderously spectacular in the genre. |