Ireland’s ridiculously talented Gleeson family have a field day in this boisterous and distinctly Irish cringe comedy.

The pairing of McCormick and Vickery is television gold. Their onscreen warmth flows naturally, as if they are old friends rather than relatively new acquaintances.

A show like “Ginny & Georgia” plays like a product of Netflix’s algorithm – a little Stars Hollow and a few parts “13 Reasons Why” with a touch of “White Oleander” to add some spice. But that only proves that it knows its audience and trusts in its awareness of the world we live in now. … We know its places and its people. That may be why we can relate more to the Millers with all their unenviable flaws and the melodrama mother and daughter create around them.

The cast here is so well-selected, the songs so infectious, and the stakes so refreshingly recognizable that the series becomes the first must-watch comedy of the year.

Godzilla vs. Kong is a crowd-pleasing, smash-’em-up monster flick and a straight-up action picture par excellence. It is a fairy tale and a science-fiction exploration film, a Western, a pro wrestling extravaganza, a conspiracy thriller, a Frankenstein movie, a heartwarming drama about animals and their human pals, and, in spots, a voluptuously wacky spectacle that plays as if the creation sequence in “The Tree of Life” had been subcontracted to the makers of “Yellow Submarine.”

It knows exactly what it wants and needs its new hybrid product to be. The hockey fights video of teen romance drama.