Ruffin tells stories and does characters that Colbert or Fallon or Meyers would likely never think to do, and perspectives on political humor that could be on other late-night shows, but rarely are.

Even more twisted than the first season.

As with so much of Murphy’s approach to queer history, it mostly feels like aimless dress-up — even when it’s fun

A violent and entertaining ride through demonic possession, religious fakery, the perils of Catholic education and the evil power of the Internet.