Jess Carpenter
Oprah Talks COVID-19
If you need a bit of hope, or want to see how coronavirus is from someone asymptomatic but positive, this is a game changing show.
Chrissy’s Court
If you’re looking for something funny that you can watch on the go, this is the show for you. Quibi may be gone, but you can still it on Roku Originals.
Love is Blind
Not nearly as catty as The Bachelor and a lot less out there than Married at First Sight, it seems that love really might be blind after all — and this show’s ready to renew our faith in falling in love.
Zoey’s Extraordinary Playlist
An inventive new comedy-drama for anyone that wants something insanely out of this world but also a little bit relatable.
Noelle
Funny, heartwarming, and adorably eccentric, Disney+’s Noelle is ready to become a holiday classic in your home.
Mistletoe & Menorahs
Perfect for showing that different views can be respected and appreciated, this holiday romance has something for everyone.
The Best of the Barbie Watercooler
This weekend was the biggest of the year for water cooler conversations across the country – and even the world. I saw Barbie on Thursday, the first day it was in theaters in New York City, and I had to get tickets a week in advance. Part of me was annoyed to be participating in
Theater Camp
Theater Camp is a treat for those who remember what it’s like to be young and to have a dream, and who haven’t forgotten all the sweat and ambition that comes with it, and how it can feel like the most important thing that has ever happened. The world of AdirondACTS is richly envisioned, and
Welcome, or No Trespassing
An intriguing time capsule of a film with an original take on the summer camp movie, Welcome, or No Trespassing is also a biting social satire of the autocratic Soviet regime.
Asteroid City
Asteroid City is like a trip to a resort — it’s fun, colorful, outwardly buoyant and a little soulless, a potent combination that makes it both a pinnacle of Wes Anderson’s style and a slight miss as a narrative picture.
Riviera
If you’re looking for a glitzy, sexy, escape, Riviera serves up three seasons of a lush, soapy mystery series dripping in yachts, conspiracies, globe trotting art world intrigue, and spy thriller plots that include a somewhat timely Russian threat.
What AI Can’t Tell You About The Bear S2
The Bear just returned for its second season The Bear Season 2 on Hulu, and we threw a party in Brooklyn, home of star Jeremy Allen White. For the uninitiated, and those unwittingly relying on AI bot reviews, we are talking about the show set in a Chicago sandwich shop – not the movie about
The Bear S1
The Bear is a fast-tempo character study set behind the scenes of a family-run Chicago restaurant. It invites you in to pull up a chair and watch the drama unfold, but never lets you get too comfortable.
The Blackening Stars on Busting Tropes and Favorite Films
It may sound like a familiar premise with The Blackening Stars: During a weekend getaway in celebration of Juneteenth, a group of Black friends find themselves stranded inside a cabin, and forced to participate in a game by a disturbed killer. Jay Pharaoh, Antoinette Robinson, and Melvin Gregg. But this a different movie, and the
Eddington is a pandemic parable. But what is it trying to say?
Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.
A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,
A Need-to-Know Guide to The Buccaneers
Was life in the Gilded Age all that gilded? In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.” Apple TV’s The Buccaneers, which just returned for its second season,
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters