Vivian Chung
Riviera
If you’re looking for a glitzy, sexy, escape, Riviera serves up three seasons of a lush, soapy mystery series dripping in yachts, conspiracies, globe trotting art world intrigue, and spy thriller plots that include a somewhat timely Russian threat.
Street Food: USA
If you’re looking for a vicarious vacation that will leave your mouth watering and your cultural curiosity enriched, Street Food: USA is worth the watch. The short series makes the case that cheap street eats are just as worthy as restaurant meals while bringing a new appreciation for a city and its communities.
The Home Edit
Though organizing and tidying can be stress-inducing, The Home Edit experts demonstrate that the key to taking control of your space again is to have a system that works for you and your workflow.
The Tinder Swindler
The Tinder Swindler starts as a too-good-to-be-true love story and quickly evolves into a revenge thriller, then a cautionary tale. Though this serves as a reminder that one should trust their gut and be on the lookout for red flags, it’s also a story of perseverance.
Dollface
Dollface explores big ideas surrounding the necessity and value of female friendship and the frustrations of millennial womanhood but manages to make it light, with surreal humor and playful punchlines sprinkled throughout.
Twentysomethings: Austin
This series provides an honest exploration of young adulthood and all the struggles that come with it in a relatable, yet entertaining way. It serves as a refreshing reminder that humor, curiosity, and optimism can serve as important tools in trying and tumultuous times.
The Bold Type
The Bold Type centers female friendship and takes on many of the issues facing young women today, but it doesn’t leave out the escapism and the fun.
Somebody Feed Phil
Despite being in foreign places and navigating unfamiliar cultures, Rosenthal demonstrates to his viewers just how food connects people from all over the world.
Jack Whitehall: Travels with My Father
Though part of traveling is being able to tick off historical sites and iconic landmarks, the other part of it is about who you share it with and how these experiences impact your relationship.
Dead to Me
At a time when there is too much actual death everywhere in real life, Dead to Me is a tonic with both the unapologetic sharpness of the humor combined with its emotional groundedness.
The Good Karma Hospital
A timely drama from India that explores the very human struggles of doctors and nurses inside a struggling hospital. The show has hooked audiences in its home country and overseas.
Community
At its best, this show is high art, mixing creativity, believability, thoughtfulness, and heart into some of the finest individual episodes of TV you can find.
After Life
Death is easy. Living is hard. Friendship is redemptive. It’s an uplifting wake-up call to getting on with life in the face of loss.
Outer Banks
A suspenseful and seductive class drama set against the sea grass swept barrier islands of the Carolinas, Outer Banks has hooked audiences with its attractive cast, bombastic personalities, and search for a buried treasure. Watch it as a scripted follow-up to Too Hot To Handle.
I Know This Much Is True
A heavy dose of tragedy, I Know This Much is True is a sociological drama that peels back several layers to examine the forces that collide to make us who we are.
Oprah Talks COVID-19
If you need a bit of hope, or want to see how coronavirus is from someone asymptomatic but positive, this is a game changing show.
Better Call Saul
The show may play out against some bleak backdrops, but Bob Odenkirk will draw you in and keep you engrossed throughout this gripping saga.
Last Week Tonight
The show manages to call out hypocrisies and sound alarm bells, but does so with levity and punchlines, giving your head – and stomach – a way to process it all.
A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters
Boyhood
Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.
Why Andor is Luring in Non-Star Wars Fans
An edgier Star Wars prequel with a timely story about rebellion, Andor skips some of the more familiar elements of the franchise — from lightsabers to Jedi to the Force — in favor of a more grounded story with parallels in both history and our current moment. While it sets up the legendary world of
Inside the War Zone: A sit down with Warfare’s director and cast
A harrowing new film from Alex Garland’s production banner, Warfare drops viewers into a real-time combat mission in Iraq. Set in 2006, it follows a team of Navy SEALs on a surveillance mission gone awry. Co-written and co-directed by Garland and Ray Mendoza—whose own platoon was ambushed during the real-life event—the film is both brutal